![]() ![]() A slow chord progression on an electronic keyboard is bolstered by trembling strings, and finally Bridges’ voice: “Sit still, take it slow, soak it in.” The track features legendary pianist and producer Robert Glasper. The opening track, “Born Again,” approaches the listener slowly, feeling out a new connection with the audience that isn’t predicated on an established genre. If the first two albums were pruning and preening a gnarled tree of inspiration, “Gold-Diggers Sound” is exactly as Bridges puts it - cultivating a new garden that is wholly him. “And we had basically been digging and searching for the right sound over the course of two years, and we wanted to find a place that was aesthetically-inspiring, that we could just fully immerse ourselves in and cultivate this sound that was unique to me.” “It has somewhat of a kind of unassuming vibe from the exterior of it, somewhat of a refuge in the midst of this like gritty city,” Bridges says. The resounding answer is “ Gold-Diggers Sound,” Leon Bridges’ third album, born out of a residency Bridges played at the Gold-Diggers hotel, studio and bar in East Hollywood. ![]() ![]() Now in the 2020s - as Black men and women are dying global, viral deaths in a time of anger and isolation - the question is not what he can do, but who he is. On his sophomore album, “Good Thing,” he leaned into the bass, synthesizers and drum machines that came to the forefront somewhere between Reagan and Clinton - Bill, not George.īridges showed what he’s capable of with a Grammy win in 2019. Leon Bridges (Pavielle Garcia)Īfter the success of that album, Bridges followed it up by leaping a couple decades ahead into the interwoven tapestry of ‘80s and ‘90s R&B. “Coming Home” shot up the charts that summer, flying past corporate muzak and tinny, derivative pop and into the nation’s consciousness. “I’m coming home to your tender, sweet loving … you’re my one and only woman,” sang Bridges, a Texas native with a mind for heartache and a voice for making that pain and adoration felt in every bone and tendon. The album was a love letter to that tradition of Texas soul - a period study in swimming across the Mississippi River to ask a special someone for another chance, backed up by a fuzzy, dusty big-band you’d nod your head to over a couple beers. “Coming Home,” the opening track off of Leon Bridges’ 2015 debut album named after the song, was like glittering gold in a pan of red Texas dirt. In the summer of 2015, you could tune into Top 40 radio and hear a sound straight out of the ‘50s: rich, twangy guitar, a slow Southern soul beat, and a voice that echoed Sam Cooke, Otis Redding or Willie Nelson. Leon Bridges (Pavielle Garcia) This article is more than 1 year old. ![]()
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